MOST POPULAR TV
TOP TV COMEDIES
|100%||Fleabag: Season 2|
|100%||Barry: Season 2|
|100%||Better Things: Season 3|
|100%||Tuca & Bertie: Season 1|
|100%||One Day at a Time: Season 3|
|100%||Brooklyn Nine-Nine: Season 6|
|100%||Broad City: Season 5|
|100%||Los Espookys: Season 1|
|100%||Documentary Now!: Season 3|
|100%||Jane the Virgin: Season 5|
|100%||Crazy Ex-Girlfriend: Season 4|
TOP TV DRAMAS
CERTIFIED FRESH TV – CURRENTLY AIRING
Critic Consensus: Fleabag jumps back into the fray with a bracing second season that upholds its predecessor’s frenzied wit and delicate heart, replete with Phoebe Waller-Bridge’s indefatigable charisma.
Critic Consensus: Tuca & Bertie skips right pastBojack Horseman‘s shadow with its chipper sensibility and madcap sight gags, bringing plenty of laughs as it addresses adulting anxiety and exalts the joys of friendship.
Critic Consensus: Gina Rodriguez delivers a stellar performance in Jane the Virgin’s final season, grounding the series in humanity amidst all its quirky telenovela humor.
Critic Consensus: Carried by its exceptional ensemble, Orange Is the New Black‘s final season gets straight to the point, tackling hard-hitting issues with the same dramatic depth and gallows humor that made the show so ground-breaking to begin with.
Critic Consensus: Chernobyl rivets with a creeping dread that never dissipates, dramatizing a national tragedy with sterling craft and an intelligent dissection of institutional rot.
Critic Consensus: Ava DuVernay pulls no punches inWhen They See Us, laying out the harrowing events endured by the Central Park Five while adding a necessary layer of humanity to their story that challenges viewers to reconsider what it means to find justice in America.
Critic Consensus: Stranger Things transforms itself into a riveting — if familiar — summer ride that basks in its neon-laden nostalgia without losing sight of the rich relationships that make the series so endearing.
Critic Consensus: Marshmallows, rejoice! Veronica Mars returns in fine form, capturing much of what made the series so beloved while adding new wrinkles that satisfy more often than they mystify.
Critic Consensus: Gorgeous and gripping, Big Little Lies‘s second season doubles down on the dark humor and gives its impressive cast even more juicy drama to chew on — especially an excellent Meryl Streep.
Critic Consensus: An intriguing tangle of mystery and melodrama, what The Society lacks in levity — and at times clarity — it makes up for with its surprisingly thoughtful exploration of community, culture, and what it means to grow up.
Critic Consensus: Das Boot possesses the atmospheric pressure of its cinematic forebear while adding new depth to its compelling ensemble, making for a riveting international production.
Critic Consensus: A smörgåsbord of heavenly imagery and irreverent hilarity, Good Omens works thanks to to Michael Sheen and David Tennant’s very-nearly-holy (or maybe unholy?) chemistry — though, at only six episodes, it’s a rare adaptation that may have benefitted from being a little less faithful to the good book.
Critic Consensus: Though viewers’ mileage may vary, The Boys‘ violent delights and willingness to engage in heavy, relevant themes are sure to please those looking for a new group of antiheroes to root for.
Critic Consensus: The Handmaid’s Tale‘s third season reigns in its horrors and inspires hope that revolution really is possible — if only the story would stop spinning its wheels and get to it already.
Critic Consensus: Though at times hard to watch,Euphoria balances its brutal honesty with an empathetic — and visually gorgeous — eye to create a uniquely challenging and illuminating series, held together by a powerfully understated performance from Zendaya.